Art and Confrontation in the Americas: An International Symposium / Sept. 29 – Oct. 2, 2019 

October 1, 2019

All panels will be held in:
Auditorium of the Harrison Institute/Small Special Collections Library.
9:30 am. Coffee.

10:00 am. Opening remarks by Carmenita Higginbotham

10:30 am. Panel III: Performance and Confrontation
Tanesha Hudson– “A Legacy Unbroken: The Story of Black Charlottesville”
Andrew Rajca– “Cinematic Aesthetics and the Right to the City in São Paulo”
Livia Stone– “This is how I want to see my people”: Filmmaking and Popular Struggle in Mexico”
Theresa M. Davis and The Black Monologues Project– “Resist…Reform. Rise! Cultivating The Revolution With Black Monologues”

1:00 pm. Lunch

2:30 pm. Panel IV: Art, Justice and Public Space
Anthony Guy Lopez– “The Atrophy of a Colonialist Trophy: The University of Virginia George Rogers Clark Memorial Sculpture. A critical contextualization and interpretation of violent public art”
Free Egunfemi– (((WORD SOUND POWER))) “The evolution of a people powered lexicon for Commemorative Justice”
Kasey Jernigan– “An Indigenous Alternative: historical trauma as public narrative and meaning-making”

5:00 pm. Reception ending the Symposium
Auditorium of the Harrison Institute/Small Special Collections Library.

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How can contemporary art be at once a mode of confrontation and a vehicle for reconciliation? Is confrontation a necessary component of critical art? How might confrontation convey meaning beyond the immediacy of the work of art and permeate society more broadly?

This symposium and visiting artist initiative address global questions about the relationship between art, politics, violence and peace by engaging with specific national and local contexts. Juan Manuel Echavarría’s participation as a visiting artist will anchor the conversation Colombia, where artists are confronting the many challenges posed by ongoing violence in a supposedly “post-conflict” era. Using this country as a point of departure, we hope to foster conversations about art and social action in the Americas / las Américas, broadly defined. Key points of discussion include the nature of confrontation; memory and public art; art in contentious spaces; and the various ways in which artistic interventions may “ripple into extra-artistic institutions and practices” (Sommer 2014, 7). 

Juan Manuel Echavarría’s artwork has been instrumental in stimulating public conversations about violence in Colombia. Echavarría is internationally known as an artist who uses photography, video and 3-D installations to expose the the consequences of conflict “on the body and the souls of people.” Works by Echavarría, such as Los Desaparecidos (The Disappeared), Bocas de Ceniza (Mouths of Ash) and Requiem N.N., intervene politically in the contradictory space between official peace narratives crafted by urban elites and the violent realities afflicting Colombia’s rural regions. As an activist, Echavarría uses his nonprofit Puntos de Encuentro Foundation to step back as a creative agent and provide other groups a space in which to artistically construct collective memory. One noteworthy project that falls into this category is La guerra que no hemos visto (The War We Have Not Seen), a series of paintings by former combatants from multiple sides of the conflict. Echavarría is an artist committed to visualizing the invisible, rescuing memory and avoiding the normalization of war. Through art, he tries to recompose the dismembered body of his country.

A core objective of the Symposium is to interrogate the intersections between art, civic life and activism. Defining “art” broadly to include film, literature, music, visual culture and performance, this event places scholars, activists and artists from the US and Latin America in dialogue with UVA and the Charlottesville community.

Space is limited.  Please RSVP below.

More information and full schedule - https://pages.shanti.virginia.edu/ArtConfrontation/schedule-2/